Bollywood
Bollyfolk
Film-dance joy with folk flavour — thumkas, mudras, and a room that forgets to be shy.
Open level · advanced masterclass possibleSwapnil Dagliya · Indian folk dancer · generous host
SCENE 01 / 07
Weekly · Ghent
Learn with me, weekly
Come train at Shoonya Dance Centre — most weeks, most forms.
Select sceneAct I · The Body
Pune raised me.Folk first — rhythm as a family language.
Ghent gave me a floor.And enough curious feet to fill it.
Now I make rooms move.Dancer, teacher, choreographer — same body.
Co-founder & artistic director of Shoonya Dance Centre — the floor Ghent gave me.
Programme notes · how I got here
Pune gave me my first counts. New York and Florence sharpened them — Broadway Dance Center, then Opus Ballet on a scholarship. Back home I ran SPACE, my own studio, for ten years, and directed Avayava for six editions. Ghent’s been home since 2015 — folk first these days, and still wearing every hat that fits.
Five, six, seven, eight — again! Beautiful — one more time.
Act II · The Practice · every week
I co-founded Shoonya Dance Centre and lead its artistic programme. Most weeks you will find me in the studio saying “again” — with love, and with counts.
Open level — no experience needed. Start here. · Level 2 classes have a 4-week Starter Series for new dancers.
First time? Nobody is watching you — they are all busy counting.
Street shoes off, stand wherever you like. By the second chorus you will have drifted forward anyway. leave humming 5-6-7-8
Act III · The Invitation · for schools, festivals, teams & anyone with a floor
Film-dance joy with folk flavour — thumkas, mudras, and a room that forgets to be shy.
Open level · advanced masterclass possibleKathak vocabulary: footwork, hands, rhythm and chakkars, pulled along by irresistible music.
Best with some Indian dance experiencePunjab folk energy — shoulders, stamina, bounce, and a very direct route to happiness.
Open level · kids 9+ possibleGarba, Ghoomar, Kalbeliya, Lavani, Khoriya, Dalkhai, Ghantu — with lecture-demos when the room wants the story too.
Culture, rhythm, community, contextFloorwork and flow meeting Indian rhythms, gesture, Kathak patterns and phrase work.
For trained dancersHatha, vinyasa, breath and pranayama — with enough kindness for every nervous system in the room.
Open level
A public square, not a studio. Same job either way.
Twelve cities, six countries, since 2024. Amsterdam · Antwerp · Berlin · Brussels · Eindhoven · Frankfurt · Ghent · Lille · Montpellier · Paris · Prague · Rome
Act IV · The Stage · press play
Give me a stage, a square or a sangeet — I’ll bring the performance, or build the piece from scratch. This is four minutes of repertoire in under a minute.






Interlude · dates & places
Now boarding · 2026–27
Interval · the snack bar
Cookwithswapke isn’t a business — it’s how I end a rehearsal, and how I look after the people who show up to my events. Vegetarian, generous, and proof that a room moves better once the belly is full.
pick a plate
Curtain call · no vague “contact us” box
One moment.
Here it is, exactly as it will reach me.
Paste it into the message field over there — that’s everything I need.